Some empty can entrances me in its
clank across the train's floor.
It passes in the aisle between me
and a girl with white wire headphones
stuck in each ear, oblivious
to my stare like a goldfish mouthing, "Pick me,"
a goldfish mouthing, "No more
loneliness." Patient inertia
of each stop and start, empty
can in a steel rain stick.
Waggish inertia takes over,
rolls the can a hand's length
over and over its spine. I reach
to rub its aluminum ribcage,
but a matchmaking inertia steps in
and sends it along a dotted line
drawn by my psychic infatuation.
A twist on
spin the bottle, a can
crawling back and forth between us,
Ouija-like,
you, him.Next stop she kicks the can
hard, and exits. In this childhood game,
she would stand victorious, having struck
what was left out in the open, unguarded.